Sunday, 28 April 2013 1 comments

Autumn


(Another piece of coursework from yours truly, this piece was originally written just over two and a half years ago and has since evolved and been reshaped so many times now that it barely even resembles the original. For my final draft of the coursework, I decided to change the narrative - from a piece that was originally told in first person, I decided to experiment and change it to third, which worked so well that I kept it like that when I handed it in. Enjoy!!)


As surely as trees must lose their leaves in autumn, she knew deep down in the very depths of her heart that this was to be goodbye.

Goodbye.

Such a simple word. Such a simple, and so frequently used shard of icy venom that could penetrate even the warmest of nights with its sadistic connotations – if used incorrectly, it could be this word that tears a person’s sane consciousness into one thousand miniscule irreplaceable pieces.
It had always been them – never the both of them specifically, but they shared the same group of friends, so that was good enough for her. Maybe the two of them were not necessarily the closest of a pair, but they were both the so-called ‘different’ ones: alternative rock music chosen over the mainstream music of their friends, the musicians, and the ones who would be found having the ‘deep and so-called meaningful’ conversations about life, the universe and everything. He had always been there, admittedly, however his attention was hardly ever directed specifically at her, but she could always count on the arrival of his skinny jeans and faded black converse trainers to brighten up the dull days that were drawing their era to a close. However, not even seeing him in any of those clothes could heighten her mood. This was to be goodbye, maybe not for the rest of their friends, but certainly for her: he’d always said that a clean break was best in any situation of goodbye, and she unwillingly had to agree.

So here they are: in the present. They walk as a group for probably the final time through the town park, laughing as he kicks his way through piles of leaves, the way they scatter in every direction a harsh yet accurate allegory for the beginning of their own separate futures, she muses. For a moment there, she could have sworn that he caught her eyes in the rush of laughter. He sees her sad smile as the ice blue of his eyes meet her own chocolate brown coloured ones, but turn away quicker than the time taken to decipher - let alone notice - the very reason they’re glazed over with glistening dew.  They continue their walk, and she can’t help but drink in these short glimpses of him, with that hair that reminds her so much of her favourite musician, who, ironically is his too. ‘Face it’ she thinks to herself. ‘We both know that we’ve got too much in common to ever be able to be anything more than friends.’
When they finally reach the station, she knows that the time is truly up. She can’t help but hope he’ll be happy at whichever stop he gets off at. He wasn’t here.

Everyone takes a turn saying goodbye. As they do so the disassociation inside her and the reality of the situation she never wanted to face begins to mount up. When he reaches her, she manages to force a smile despite everything she’s promised herself. ‘Obviously, it would be too much to ask for a hug,’ she thinks to herself, and instead waves and wishes him the best.  Now that’s he’s so close to leaving, she realises that a return is near enough to impossible.

It’s too late to say anything more to him now: and the reality that yet again she’s wasted her final chance to say something, anything to him. She stands with them, watching as he boards the train that will take him forever away from her and remembers one of the only things that he had ever said that had really stuck out in her mind.

“If you think about it, there are six, maybe even seven billion people on this earth. So what does that mean then? Meaning at least three billion of the opposite sex out there. One hundred million, or even more, of our specific age range. So surely, surely there is one person out there who is perfect for you in every way, shape or form. It just takes time to find them.”

She repeats these seemingly reassuring ghosts to herself over and over as he boards the train, and takes a last long look into his eyes: those perfect blue eyes that he always despised, describing the colour as an un-natural anomaly of nature. Silently, she protested. To her, that last image was perfect. Him: standing typical as ever in those clothes that they both loved, leaning out and waving his goodbyes, his eyes almost gracing hers with their faultless gaze. Almost.

‘I want to remember you like this.’

The train is gone when she opens her eyes once more. She turns and follows the others out of the station, a fragile empty shell of what she had been mere moments before. It felt to her almost as if he had taken her soul away with him on that train. The ghosts of their footsteps still lingering on the gravel pathway that leads through the park: dancing tantalisingly around the bereaved group of friends that she no longer truly feels a part of. What had before been the route of companions and friendship was now shadowed by loneliness, and the fear of a life lived in solitude for the rest of its eternity.

A chill wind lifts her dull hair, whipping it around her face and into her eyes so that her vision becomes distorted, and for a moment she sees a glimpse of reality in an alternate way. A different time, and a different girl. But him, always the same person. A reality that this heartbreaking goodbye had somehow bypassed. The image disappears in the same amount of time that it would take for a heartbeat to pass, and the path once again becomes laced with the shadows of uncertainty in front of her.




Autumn was over. Winter had begun.

Wednesday, 3 April 2013 0 comments

A Few Poems


(So here is the second part of my 'blog treats:' another piece of coursework, this one a selection of  five poems written in different styles with the purpose of exploring several different types of poetry and genres. My favourite is almost definitely the first one - so much fun to write and something I'm really pleased with!! As this is being posted as a scheduled post, you'll probably first see this when I'm at the top of a mountain. So whilst you're enjoying reading, I'll be enjoying my week skiing - everyone's happy, perfect!!) 


Why I Hate Rhyming Couplets


So why is it that some people always think poetry has to rhyme?
To me, at least, I always find that trying to is particularly time
Consuming, especially when it is not the content that matters but the way
In which the poet delivers exactly what it is they want to say.

Whatever my inspiration is when I begin to write
Is more often than not a pile of shite,
However at least I seem to have the decency to utilise free-verse
Than to try to bring in irrelevant words simply to ease the flow of speech. Universe.

Surely there is more to a literary life than to try to rhyme every single word
With the line before. I'm sorry, but moon and spoon just sound far too absurd
And unimaginative to be taken seriously in something
That anyone over the age of twelve has been writing.

So how about from now on, people realise that instead of trying too hard
On getting their work to rhyme, instead it is better to be avant-garde
And go with plain old free verse. In short, I'm tired of making something rhyme just for the sake of it,

So maybe it's better just left alone to save the pain of irrelevant trips to a thesaurus.





A Suite Of Seasons


I.

Dewy morning's dawn,
Caught by the golden sunlight -
Winter is over.


II.

The sun bakes the earth
Like an everlasting fire:
Throats and plants are parched.


III.

Orange and scarlet
Leaves fall from lofty branches -
Crunchy underfoot.


IV.

Snuggled up inside,
'Baby, it's cold outside' plays:
Christmas is coming.





About An Apple


Once scarlet,
                                    (Blood red, now the colour of decaying dreams, mottled aesthetic imperfections)
And dewey crisp green underneath,
                                    (The colour of envy, rage, fresh new days with fresh new starts)
:
It is the very epitome of poison,
Innocent as the beautiful snowy white winter's morning
Yet at the same time,
An image,
A false idol
Of innocence lost
In a garden somewhere.

Aged imperfections on the surface are the
Only clues to the symbolic significance of this
Devil's fruit.

A clever disguise.





Go Away.


I am writing this
From my sickbed.

However my head is in far too much pain
To be able to concentrate properly.








Purple Elephants.





Upon Dreaming


A cloud shifts across the inner eye,
Memories of days gone by
To a sunlit day, we say goodbye
And to an abstract place our thoughts must fly.

What is it that lies beyond the realities
Of birds and bees
And worlds and trees?

Eyes close and breathing slows,
Chasing thoughts and fantasies of long ago
Inside the realms of our subconscious thoughts,
The focus of our curiosity is caught.

Will we find a dragon's lair,
Or kingdoms, realms and universes?
A fairytale life is now within reach,
Escaping goblins, giants and witches' curses.

In truth the dream must always end,
With the morning sunrise just around the bend.
Fairies and riches are left behind,
Kept forever inside the mind.

A return is always possible, fear not,
For it is effortless yet to return to that plot.
With thoughts alive until the final breath:
A poignant sweet ecstasy captured only in death.


Saturday, 30 March 2013 0 comments

Paranoia


(So I haven't posted for a while, and I'm thinking about some kind of a special blog post is in order to compensate...
*later*
Okay, so after much thought lets make it even more special - over the next week in my absence (going skiing in the Alps, so excited!!) I shall be posting online two of my pieces of coursework from my Creative Writing class - instead of the usual posting a piece that has had minimal editing, here's a treat that has been properly edited: my script that is as of yet unmarked. I tried to go for a psychological horror take on this, so without much further ado... enjoy!!)


Cast List


JOHNNY – Middle aged and good looking, married to MELISSA and father of JAKE
                     and AMY. A family man who enjoys the outdoors.

MELISSA –JOHNNY’s wife and a caring stay-at-home mother of JAKE and AMY.

JAKE – JOHNNY and MELISSA’s eight-year-old son. Keen footballer and very
close to his parents.

AMY – A shy and cautious six-year-old, JOHNNY and MELISSA’s daughter. She
dotes on her elder brother JAKE and treats him like a hero.




Paranoia 


FADE IN:

Montage..
Screen shows static, occasionally punctuated by home footage and stills taken by JOHNNY’s family.
Wedding footage of MELISSA and JOHNNY.
Photos taken at a christening.
Short videos of JAKE and AMY playing.

Johnny’s voiceover is heard over the top. On his final words, the screen cuts to black with the noise of a television shutting off.

JOHNNY (V/O)
Have you ever had an obsession so crazy that drove you straight to the brink of insanity? And then when you thought that it had reached a climax, it caught you unaware and pushed you straight off the edge?
(pause)
I have. My name is Johnny Brockman and this is my story.



EXT. FOREST - DAY

JOHNNY, MELISSA, JAKE and AMY are walking through a forest with their dog.

JOHNNY (V/O)
I can remember the exact date I first saw him – I was with my family taking a walk in our local forest. Nothing out of the ordinary there: the amount of times my wife and I had taken the kids down there to build dens and rope swings or go bird watching, you’d think we pretty much owned the place.



EXT. CLEARING – DAY

JOHNNY is bending down to take the lead off the dog. MELISSA roots around in her bag for something, finally pulling out a Frisbee. JAKE and AMY run around the clearing as children do playing tag.





JOHNNY (V/O)
I’ve always had the kind of life that many people would dream of. A home of my own. A beautiful wife. Two kids and a dog. A family.
            (beat)
I guess I always took it for granted though, never realised what I had until it was too late.
(beat)
I first saw the shadowy figure as we were about to play Frisbee with the dog. I bent down to take off his lead and as I stood up, he was there at the edge of the clearing, standing and watching me.

Shot of the shadowy figure standing at the edge of the clearing. Close up on JOHNNY’s face.

JOHNNY (V/O)
He didn’t move and even after I blinked, he was still there.

JAKE
Come on Daddy, throw us the Frisbee.

JOHNNY shakes his head and comes out of his trance. The man is still there unmoving. He readies himself to throw the Frisbee to JAKE.

JOHNNY
Okay then, watch out. Here it comes.

JOHNNY throws the Frisbee up into the air and the camera follows it. JAKE, AMY and the dog scrabble around to catch the Frisbee. JOHNNY moves over to MELISSA.

JOHNNY
         (whispering)
What do you think he wants?


MELISSA
What who wants?

JOHNNY
         (whispering)
Him. That guy over there at the edge of the trees. Look, just behind Amy back into the trees a bit.

MELISSA squints towards the trees. Looks confused.


MELISSA
I can’t see anyone Johnny. Are you sure it’s not just the shadows in the trees?

JOHNNY
Look, he’s right there. Standing still. How can you not see him?
                                    (beat)

JOHNNY (V/O)
That was the first day I saw him. And it wasn’t the last either. Melissa thought I was going mad in the clearing back then. I dreamed about him later that night too, and all the while, he was just standing there watching me. He didn’t move, I never got any closer to him than I was in the clearing – at least, not then I didn’t.



INT. JOHNNY AND MELISSA’S BEDROOM – NIGHT

JOHNNY and MELISSA are asleep in bed; MELISSA is sleeping peacefully however JOHNNY is tossing and turning, visibly unable to sleep. Flashes of the scene in the clearing are seen between shots of him trying to sleep and close ups of his anxiety-ridden face.

Johnny sits upright in bed suddenly, eyes wide open.

JOHNNY
He’s… he’s…
        (breathes out)
He’s not here. It’s just a dream. Just a dream.

MELISSA
(sleepily, just beginning to wake up)
Johnny? What’s going on?

JOHNNY
It’s… A bad dream. I’m okay.

MELISSA goes back to sleep, JOHNNY remains sat upright in bed.

JOHNNY (V/O)
But I wasn’t okay. He was still there, waiting for me. No matter where I went, no matter where I turned, he’d always find his way back into my head.


More film clips play in the style of home footage.

Montage..
JOHNNY, JAKE and AMY are playing outside with the dog.
JOHNNY is fixing the gate in the back garden.
MELISSA and JOHNNY driving through a well-lit town. 

JOHNNY (V/O)
Of course, I mentioned it to Melissa. How could I not, she’s my wife?



INT. JOHNNY AND MELISSA’S BEDROOM – NIGHT

Scene shows JOHNNY and MELISSA in bed together, sat upright watching the television.

MELISSA
I just don’t understand why he keeps on popping up in your dreams Johnny; maybe you should go and see someone.

JOHNNY
I’m telling you, it’s not just in my dreams. I’ve seen him in real life too – the other day when I was taking Jake to football practice, he was watching me from the other side of the pitch.
(beat)
And he was there when I was driving with you and the kids to your parents’ last week.
(beat)
I’m not making this up!

Short silence while camera switches from focus on JOHNNY to focus on MELISSA.

MELISSA
Johnny… Are you sure you’re not… on something, are you? I just- well, I mean it’s weird that you keep on seeing this figure whilst nobody else can. It’s like you’re hallucinating or something.

JOHNNY
                                                                      (astounded)
Are you being serious? He’s real, I swear. I keep on seeing him everywhere I go, why do you think I would make something like this up? It’s been nine years, and you can’t believe me when I’m genuinely telling the truth?

Scene pans out on the pair sitting in an awkward silence as JOHNNY’s voiceover begins.

JOHNNY (V/O)
So there you have it, my own wife thought that I was going mad. But I knew that I wasn’t, because I kept on seeing him. And no matter who I told, no matter how many people I pointed him out to, nobody saw him… or believed me. Then one day, things escalated so violently, that I realised the seriousness of the situation.



INT. LIVING ROOM – NIGHT

JOHNNY is sat downstairs at his computer. MELISSA can be heard in the kitchen tidying up. The clocks all indicate that it is late and that the children are already in bed. Everything seems peaceful.

JAKE
 (upstairs, upset)
Mummy? Daddy? Help!

JOHNNY gets up and runs upstairs, MELISSA some way behind. Camera shot from bottom of stairs of him running, panicked. Camera shot from top close up of his hands as he pushes on the door.



INT. JAKE’S ROOM - NIGHT

JOHNNY enters JAKE’s room frantically pushing open the door. Shot of JOHNNY’s face.

JOHNNY
Oh no. No. No. No. Not you.
(beat)
Jake? Jake!
(beat)
                         (angry)
What have you done with him?

MELISSA enters behind JOHNNY. MELISSA SCREAMS. Fade in of sirens and fade out of JOHNNY and MELISSA’s screams. Black screen.

Montage..
Police cars outside JOHNNY’s house.
JOHNNY and MELISSA crying.
Both JOHNNY and MELISSA crying in the police station.
JOHNNY (V/O)
I saw him there, closer than ever before. He was standing over Jake. Just standing there. Over Jake’s body. And then just as Melissa entered the room he disappeared. Faded away into nothing.
            (beat)
The police came. They questioned me. Questioned Melissa. They couldn’t find anything though. No fingerprints, nothing. I told them about him, about the man. They didn’t listen to me. They asked me what drugs I was on. I had tests, did all the questionnaires. They threw around words like hallucinations, schizophrenia, just like Melissa did. Prescribed drugs. Therapy. In the end, any kind of the charge against us was dropped due to a lack of evidence. I tried as hard as I could to convince them about the shadowy man. Nobody listened.



INT. LIVING ROOM – LATE AFTERNOON

Fade in of JOHNNY and MELISSA sat on sofa again, curled up with one another crying. Silence. JOHNNY stands up.

JOHNNY
Melissa. He’s there.

MELISSA
(sobbing)
Johnny stop this okay, you’re scaring me.

JOHNNY
You don’t believe me?

MELISSA
    (standing up to calm him down)
Johnny, don’t do this to me. Not now.

JOHNNY
Melissa, don’t do this to me. He took Jake!
            (beat)
Leave him to me. I’ll show you. I’ll show him. I’ll fucking kill him.

JOHNNY knocks MELISSA out of the way and runs towards the door. MELISSA falls to the floor hitting her head, but retaining consciousness. Camera angles change between following JOHNNY in a rage outside of the house to her crying on the floor, reaching for the phone. Her head is bleeding.

EXT. HOUSE – LATE AFTERNOON

JOHNNY
          (Screaming)
Okay, where are you? Where are you? Come out and fight me. Come on. You took my son. You took my son from me.



INT. LIVING ROOM – LATE AFTERNOON

MELISSA is shakily dialling the police. JOHNNY is still heard in the background screaming and smashing things up outside.

MELISSA
Hello? Police? I need you to come as quick as you can. It’s my husband. He’s gone mad.

Scene fades to black as MELISSA’s last line echoes over the top.



INT. WHITE ROOM – DAYTIME

JOHNNY’s face is seen close up on the camera, non-moving.

JOHNNY (V/O)
They took me away that afternoon. Said I was mad.
                        (beat)
The court ruled that I was criminally insane, accused me of Jake’s murder. I pleaded for my innocence but nobody listened. Melissa took Amy away, said she never wanted to see me again. She was scared.
(beat)
I stopped seeing him after that night. I knew he was there though. And when nobody believed me, I guess I just got pushed over the edge. He was real to me. I guess in a way, the figure had become a part of me, the very embodiment of my own paranoia. The shadowy figure was my own mind, a projection of a subconscious just waiting for something to go wrong with my perfect life.
(beat)
No wonder nobody believed me.


FADE OUT TO BLACK


(Check the blog again on Wednesday 4/4/13 for the next post - I'm not sure what the wi-fi connection is like at the top of a mountain, so it's probably easier if I schedule a post. ;) )
 
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